Arkansas Democrat-Gazette: ‘Lost artist of the Ozarks’: Charlotte Buchanan-Yale is rediscovering the life and legacy of her husband, James Yale
‘Lost artist of the Ozarks’: Charlotte Buchanan-Yale is rediscovering the life and legacy of her husband, James Yale
The New York Times: This Couple Is United in Art and Life. But Can He Save His Wife’s Legacy?
This Couple Is United in Art and Life. But Can He Save His Wife’s Legacy?
BroadwayWorld: Legacy Co-Founder Hands Over Artistic Director Role to Broadway Veteran, Branford’s Eric Santagata
Legacy Co-Founder Hands Over Artistic Director Role to Broadway Veteran, Branford’s Eric Santagata
Times Union: New artistic legacy begins for a mother, a decade after her death
New artistic legacy begins for a mother, a decade after her death
Tampa Bay Times: New leader at Studio@620 looks to build on artistic legacy
After his last solo exhibition, at the Tel Aviv Museum of Art in 1960, Pinchas Litvinovsky retreated to his Jerusalem studio and spent the final decades of his life in solitude, searching for a visual ...
Observer: With Soft Network, the Experimental Artists of the Past Get a New Life
With Soft Network, the Experimental Artists of the Past Get a New Life
insider.si.edu: Artist, authorship & legacy : a reader / edited by Daniel McClean
Artist, authorship & legacy : a reader / edited by Daniel McClean
The Legacy Theatre’s focus for 2026 is “there’s no place like home”, a key phrase from its upcoming production of The Wizard of Oz. For Eric Santagata, those words have an incredibly special meaning ...
The Art Newspaper: New biography of Chaïm Soutine pieces together illusive artist's life and works
The legacy of Chaïm Soutine (1893-1943) is a conundrum. Often his reputation spreads beyond him or his art. One goal of this new biography is for his paintings to win out. Soutine arrived in Paris in ...
New biography of Chaïm Soutine pieces together illusive artist's life and works
Experience LIFE's visual record of the 20th century by exploring the most iconic photographs from one of the most famous private photo collections in the world.
Here’s how LIFE described the social life there in a story in its issue: …At Connecticut College, girls have more boyfriends than in the palmy days when the college derived critical advantage from its strategic location between Harvard and Yale.
It was a bold notion to name a magazine LIFE. The word life, after all, encompasses everything. The major events that define generations, the fleeting moments that comprise the everyday, the feelings we have and the world we inhabit. As a weekly magazine LIFE covered it all, with a breadth and open-mindedness that looks especially astounding today, when publications and websites tailor their ...
The following is adapted from the introduction to LIFE’s newcspecial issue 100 Photographs: The Most Important Pictures of All Time and the Stories Behind Them, available at newsstands and online: Photos are proof. We know this from our own lives. Here’s what dad looked like when he was in high school. Look at this cake I baked.
With more than ten million original prints, negatives, slides, and transparency shots, see why LIFE's photo archive will always remain timeless.
See photographs and read stories about global icons - the actors, athletes, politicians, and community members that make our world come to life.
LIFE photographs -- resembling every war-battered panorama from Verdun to Vietnam -- made in September, 1945, in Hiroshima and Nagasaki
From pets to wildlife, explore how our relationship with animals has changed - and remained the same - throughout the 20th Century.
LIFE was very much aware of this change as it was happening, and worried that it was bad for the country. The magazine fretted in 1948 that the decline of the family farm might also signal the decline of the American family, as families stopped focussing on joint enterprises and its members pursued their individual interests instead.
The following is adapted from the new special issue LIFE’s 100 People Who Changed the World, available at newsstands and online: History never stops moving. It evolves. It is fluid. What history looks like today is different from what it looked like, say, a hundred years ago; and what today’s history-in-the-making looks like now may be seen very differently just 20 years from now. Did ...